Ah, “The Adoration of the Magi” and “The Battle of Anghiari,” two notable works that hold a special place in my artistic endeavors. Allow me to share with you the inspiration and circumstances surrounding these ambitious projects.

“The Adoration of the Magi” was commissioned in 1481 by the monks of the San Donato a Scopeto monastery in Florence. This religious subject matter fascinated me, as it allowed me to explore the dynamics of human figures in complex compositions. I aimed to portray not only the central scene of the adoration itself but also the surrounding characters, landscapes, and architectural elements. I wanted to capture the diverse emotions and expressions of the individuals present, rendering a grand tableau of both earthly and celestial realms.

However, due to my restless spirit and insatiable curiosity, I found myself constantly pursuing new knowledge and exploring different fields of study. My explorations into anatomy, engineering, and other scientific endeavors often took precedence over completing certain works. Consequently, “The Adoration of the Magi” remained unfinished, as I ventured on to other projects and undertakings.

As for “The Battle of Anghiari,” it was commissioned by the Florentine Republic in 1503 to depict the victory of Florentine forces at the Battle of Anghiari. This project presented a unique challenge, as I sought to convey the intense energy and motion of a battlefield through my brushstrokes. I envisioned a dynamic and monumental composition, with soldiers engaged in the heat of battle, their bodies contorted in dramatic poses.

Unfortunately, technical difficulties arose during the execution of “The Battle of Anghiari.” The experimental painting technique I employed, utilizing oil and wax on a dry plaster surface, did not yield the desired results. The paint began to deteriorate, and I faced difficulties in achieving the vibrant colors and intricate details I envisioned. Frustrated by these setbacks and pulled in different directions by other commitments, I eventually abandoned the project, leaving behind only preliminary studies and sketches.

It is worth noting that the unfinished nature of these works does not diminish their significance. In fact, their incompleteness often sparks the imagination, inviting viewers to participate in the creative process, envisioning what could have been. As an artist, I believe that the pursuit of knowledge and the exploration of new ideas are paramount, even if they sometimes lead to unfinished projects. The journey of creation is as valuable as the final masterpiece itself.